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What It's Really Like to Be a Studio Audio Engineer – With Eric Astor: Time We Discuss

Watch/Listen to this Episode What It's Really Like to Be a Studio Audio Engineer – With Eric Astor Studio Audio Engineer; Host of Time We Discuss is pointing to a picture of guest Eric Astor. A mixing console, computer, and speakers of a recording studio are in the background.

Ever wondered what life is like behind the scenes in a recording studio? In this insightful episode of *Time We Discuss*, host [Your Name] sits down with seasoned audio engineer Eric Astor to dive into the real world of sound engineering, music production, and building a sustainable career in the recording industry.

Inside the Day-to-Day Life of a Studio Engineer

Eric shares what a typical day looks like in his life as a studio audio engineer, operating from his home studio in Los Angeles. From early morning coffee to late-night mixing sessions, every day is a unique blend of creativity, collaboration, and technical precision. Unlike the chaotic, overnight studio culture of years past, Eric has carved out a sustainable, family-friendly work-life balance—proof that the modern audio engineering career can adapt to your lifestyle.

From Live Sound to Studio Success

Eric's journey began in live sound before transitioning into studio work. His story underscores the importance of saying "yes" to unexpected opportunities—whether it's running lights for $50 or troubleshooting a venue's audio setup on the fly. These small gigs led to pivotal industry connections and eventually to Eric owning and operating his own studio.

What It Takes to Make It in Audio Engineering

A key takeaway from Eric's experience is that success in audio engineering isn't just about having the best gear or a list of high-profile credits—it's about being reliable, adaptable, and a team player. The music industry runs on relationships, and professionalism and positivity can open as many doors as technical skills.

Do You Need a Degree to Be an Audio Engineer?

The conversation also explores the value of traditional education vs. trade schools or self-teaching. Eric emphasizes that while a four-year degree can be beneficial, especially for those focused on musicality, what matters most is your commitment, work ethic, and willingness to learn.

Mixing Remote Projects and Tech Trends

Post-COVID, remote audio work has become more common. Eric discusses the challenges of receiving home-recorded audio for mixing, and how modern software like iZotope tools has made it possible to clean up and unify disparate recordings. He reminds aspiring engineers that the job is about delivering quality results, regardless of the source material.

Running a Studio Is Running a Business

Eric also talks candidly about the business side of audio engineering—learning invoicing, taxes, setting rates, and valuing your work. His experiences serve as a roadmap for turning a creative passion into a sustainable business.

Support Music Education

To close the episode, Eric advocates for supporting music education in schools. His career was shaped by early access to music programs, and he stresses the importance of arts funding for future generations.

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